Boy meets girl. Boy loses girl. Boy gets girl ... Hollywood rehashes the same formula so often, it's hard to believe that it can actually work. Jason Goldberg '14 reviews the likely Oscar contender Silver Linings Playbook.

Money makes the world go round in this smooth and suave crime movie. Despite it's veteran cast and stunning cinematography, Arbitrage still leaves Marissa Tranquilli '15 dissatisfied.

Cornell Cinema re-opens at Willard Straight Hall this week with Attenberg, a sensuous Greek film about the complexity of relationships. 

Julia Moser '15 explains why, just why, an 'Eisenberg' is better than a 'Timberlake.'

Franco-American love is in the air again for Julie Delpy. She adeptly treads the fine line between absurdist satire and complete farce in 2 Days in New York. Natalia Fallas '14 is won over by this racously funny and fiercely charming sequel. 

Alex Rehberg '16 found it hard not to fall in love with the Kitchen Theatre's steamy adaptation of Frankie and Johnny in the Clair de Lune.

Filmmaker Aurora Guerrera was at the Schwartz Center this week for the screening of her latest film Mosquita y Mari. She talks to Gina Cargas '14 about love, class and ethnicity. 

There's no light at the end of this tunnel. Gina Cargas '14 reviews La Sera's latest breakup album. 

The romantic comedy This Means War lives up to expectations, according to Lucy Goss '14.

Hannah Stamler '12 contemplates the glacial romance of the classic 1961 Italian film, La Notte.